SEASON AUDITION JUNE 2010
The 2010 Season will be announced in late April.

1.) GRP casts the entire season with  one yearly audition. This means you are auditioning for
      multiple shows at once.  You are considered for everything regardless of what you actually read
      for in the audition.

2.) Auditions are by appointment only.  For scheduling call (413)668-7284

3.) Casting for: "Little Shop of Horrors" (Musical)

4.) Callbacks: You may or may not be called back.  If you don't get called back, it doesn't mean that you
      will not be cast in a show.  

5.) Casting: Once a show is cast an announcement will be posted online.  If your name is not on the
     cast list then you have not been cast.  Kids ages 7-18, if you have not been cast in a show you can
     simply register for Kids Tour.  Some roles in Kids Tour may be cast ahead of time, but the
     workshop always allows for those who would rather register than audition.  If you want to be
     considered for a lead role, then you need to audition.


6.) Auditioning for a musical role...Please prepare a song, preferably with pre-recorded background
      music. A CD player will provided.  We will have a piano available for those who can accompany
       themselves.  Please do not bring sheet music. We will not have a pianist available.

7.) Clothing/Attire...Please bring/wear comfortable clothing that will allow for easy movement.  You
may    
    
 be asked to stay for a dance audition.

8.) Time... In order to be fair to all of our auditioners, It is really important that we stay on schedule.  
     Please arrive 15 minutes early to fill out appropriate paperwork and to familiarize yourself with the
     reading selections.  If you are late for your appointment we will fit you in when we can depending
     on the evening's line-up.  

9.) If there is an emergency and you cannot make it to your appointment, please call (413)668-7284
    asap so that there are not people left waiting for you. Please make cancellations at least 1 day in
    advance so there is an opportunity to fill your appointment with someone else.
SEASON AUDITION
Overview of Auditioning
What the directors are looking for?
 The directors are looking for the best fit between actors and roles. They don't    
 
simply put the best actor in the biggest role. Instead, they're hoping to find people
 
who "have it in them" to play the role the way the director wants it played. How  
 
does the actor take direction? The actor can make a positive impression in this
 
area,  by being respectful, listening carefully, and making an effort to follow the
  
direction given by the director. Feel free to ask questions if you don't understand.
 
The last thing you want to do is get attached to a way to read something, and fail  
 
to change when the director gives you direction. Directors are looking for what
 
you do right, rather than what you do wrong. Mistakes are expected, so don't
 
focus on them. Instead, focus on showing off what you're capable of. The
 
directors want you to do well, so they're on your side. Although you may crave the
 
largest role, getting a role that's the right fit is probably more conducive to
 
happiness during the production period. It's in your best interest to be yourself,
 
show off what you do well, and trust that the directors will put you where you will
 
shine.

Warmup/Range Check: Picking the right song
 Show up warmed up if at all possible. The warmer you are, the better you'll
 
sound. Try for something which suits your range and personality. Avoid songs
 
with lots of non-singing bits, or figure out a way to skip over them. If in doubt, pick
 
something which is less challenging but that you can sing well. Interpretation is
 
good - it shows you know what the words mean, but don't go overboard. If you
 
need to read the lyrics off of the sheet music, that's OK,  though you'll be more
 
free to move if your hands aren't occupied. You may not get to sing the full song. If
 
there's a particular passage you want the directors to hear, arrange to get to that
 
part soon. The vocal director is looking at your vocal quality, musicianship,
 
whether you can act while you sing (do you pay attention to what the words
 
mean), and various technical details (tuning, etc). The director is looking more at
 
the whole package. Does your voice and body language suit the song you're
 
singing. Are you entertaining to watch/listen to. Try not to be nervous (yeah,
 
easier said than done). No one expects perfection from you. Just do your best. If
 
things go poorly, keep going, and do your best. Don't keep restarting. Don't
 
apologize for messing up. Don't tell us how badly you think you did. Mistakes
 happen. We're all human, and we want you to do your best!!

Readings: How to prepare
 Read through the reading so you are familiar with the words. You don't need to
 memorize the passage, but you want to avoid tripping over the words. Make a
 choice as to how you're going to read it - what that choice is less important than
 that you make a choice. Don't make assumptions about what role you're being
 considered for based on the director's choice of reading. Listen carefully to the
 direction the director gives you. Try to implement it. If you're not sure about
 something, ask what the director is looking for.  The director looks for two things:
 First, can you play the role the way the director has asked you to read it. Can he
 or she "hear" you as the character. Second, how well do you "take direction". Do
 you respond and change, or do you just do the same thing you did the first time.
 Listen to the other actor while they're reading. React. That's acting.

 This information was taken from MIT's Theatre Department audition page online
 and arranged to meet GRP guidelines and philosophies.
Thank you for supporting the arts and your local theatre.
Mailing: GRP, 54 High Street, Monson, MA 01057         (413)668-7284          greeneroomproductions@yahoo.com
Physical Address: Monson Developemental Center/Buckley Hall, 175 State Avenue, Palmer, MA 01069